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Video clips on social media platforms and websites often are shown in a variety of aspect ratio, such as square or vertical, for playback in an app or on the web. Third-party tools such as review and approval app frame.io can also generate and deliver proxies to a Final Cut Pro library. The latest proxy engine allows you to create a proxy-only copy of your library to share locally or via the cloud and displays original media if proxies aren’t available. To help maximize portability and performance you can now create proxy copies of your media (as low as 1/8 size) in ProRes Proxy or H.264. Just how much better Final Cut Pro’s performance will be when running it on a new Apple Silicon laptop will be interesting to see.
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Fixes an issue in which audio sync could drift when retiming clips.Improves stability when applying stabilization and color balance during import.Improves reliability when creating proxy media from non-square pixel interlaced clips.Fixes an issue in which chapter markers were not available when sharing.
#WHATS NEW IN FINAL CUT PRO 10.4.2 UPDATE#
Fixes an issue in which audio waveforms would not update in the inspector after adding a filter or making a volume change.Improves reliability when previewing built-in sound effects in the browser.Improves the appearance of HDR thumbnails in the browser and timeline.Fixes an issue in which LUTs were not available in optimized or proxy clips.Export HLG high-dynamic-range projects with Dolby Vision 8.4 metadata for optimized playback on Apple devices.Option to create a copy of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions.
#WHATS NEW IN FINAL CUT PRO 10.4.2 MAC#
Accelerated machine learning analysis for Smart Conform using the Apple Neural Engine on Mac computers with Apple silicon.Improved performance and efficiency on Mac computers with Apple silicon.Final Cut Pro also gains new features that take advantage of the Apple Silicon Neural Engine. This is not any kind of huge update to Final Cut Pro, however, it does add improved performance and efficiency when using Mac computers with Apple Silicon. We have no idea why Apple has decided to get rid of the X given this is version 10.5 and not 11. Motion templates available from has updated Final Cut Pro to version 10.5 and dropped the X from the name.Performance tests are conducted using specific computer systems and reflect the approximate performance of MacBook Pro. Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 8K Apple ProRes 422 media, at 8192x4320 resolution and 29.97 frames per second.
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Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU, and 32-core GPU, as well as production 2.4GHz 8-core Intel Core i9-based 16-inch MacBook Pro systems with Radeon Pro 5600M graphics with 8GB of HBM2, all configured with 64GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422.
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Prerelease Final Cut Pro 10.6 tested using a 1-minute picture-in-picture project with 7 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 30 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second.